
One of the cool things about that B&R job was the fact that everyone who worked there was a lot older than me. I was barely fifteen, but most of the other kids working there were seventeen or eighteen. It certainly doesn't seem like much now, but when you're in high school a few grades are ages apart. I felt supercool working with mostly seniors. Luckily, I got along with them really well. They took me under their wing and taught me the tricks of the store, brought me to parties, introduced me to girls from other schools... they even took me cow-tipping one night! I thought that jobs were the greatest thing ever invented.
One of the many new things I was exposed to in my first year on the job was music. These guys I worked with listened to different stuff than my brother, different than my parents, and certainly different than the circle of friends I rolled with. Whereas I was more used to classic rock, these guys were listening to the new sounds of the mid-eighties. It wasn't called Alternative back then. We called it Progressive. One of the guys used to bring in his old boom-box and when we were allowed to, we'd listen to tapes of all kinds of stuff. One song I'll always associate with this time is "Panic" by The Smiths. I just remember a bunch of us belting out "Hang the DJ. Hang the DJ. Hang the DJ!" It's funny how songs literally become a soundtrack to your life's movie.
To be honest with you, I really don't worship at the altar of The Smiths. A LOT of people think they were the greatest thing to come out of the 80's, one of the most influential bands, that Morrissey is a god, etc, but I'm not that person. I really didn't like a lot of that early alternative stuff. I've said many times that the recording trends of that decade were just not very good. Many cite the jangly nature of Johnny Marr's guitar work as being so fresh sounding in the Reagan Era, but a lot of the tunes by The Smiths, Depeche Mode, New Order, and all of their peers sounds very "light" to me. It's as if the bass is turned off, the treble turned way up, and synthesizers tried to replace that missing weight. There's definitely no Zeppelin thump there. Jane's Addiction and Nirvana definitely reclaimed that later, but the earlier part of the 80's was a little too clean for me.
"Girlfriend In a Coma" was the first Smiths' single to kind of go mainstream. I never heard "Panic" or "The Boy With the Thorn in his Side" on the radio, but my mom probably heard this song on several different stations that she tuned in. It's nice and short and remains for me as a good tribute to those middle years of my teens.
"Girlfriend in a Coma" is from the album "Strangeways, Here We Come." To hear the song, click on the icon in the widget jukebox along the side of the blog.
I never really cared for the SMITHS that much, either. I liked the stuff, and when songs showed up on the mix tape, it was always a real treat. But I did like Morrisey's voice, and it reminds me SO much of the mid-late eighties. Even today I can remember where I was, and more importantly how I felt at that time---very insecure, but alive. I think my first job I made under $5 and thought I'd be able to save enough for a car---needless to say, I had my bike for a while.
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